#Gapped toothed women 1080p

Remastered at 24-bit from a restored DA-98 tape and the restored 35 mm full-coat magnetic track. The original monaural soundtrack for God Respects Us When We Work, but Loves Us When We Dance was The original monaural soundtrack for Hot Pepper was remastered at 24-bit from the original 16 Women Yum, Yum, Yum! A Taste of Creole and Cajun Cooking and The Maestro: King of the Cowboy Artists were remasteredĢ4-bit from 35 mm full-coat magnetic tracks. Pleasure Garlic is as Good as Ten Mothers Sprout Wings and Fly In Heaven There is No Beer? Gap-Toothed The original monaural soundtracks for The Blues Accordin' to Lightnin' Hopkins A Well Spent Life Dry Wood Always for My score is 3.75 due to theĬriterion's insert booklet has the following information on the soundtracks: Detail levels are quite appealing due to the ubiquity of close-ups during the interview segments. Most of this transfer offers a really nice accounting of a naturally resolving grainfield, along with a very natural looking palette, but there are once againĪ few variances which kind of crop up willy nilly, including a couple of interview segments where the colors don't pop very well and grain is noticeably Using MTI's DRS and Pixel Farm's PFClean, while Digital Vision's Phoenix was used for small dirt, grain, and noise management. Thousands of instances of dirt, debris, scratches, splices, warps, jitter, and flicker were manually removed Internegatives at Technicolor Los Angeles. These new digital transfers were created in 2K resolution on a Scanity film scanner from The image to maintain the proper screen format. On widescreen televisions, black bars will appear on the left and right side of

#Gapped toothed women 1080p

Gap Toothed Women is presented on Blu-ray courtesy of the Criterion Collection with an AVC encoded 1080p transfer in 1.33:1.Ĭriterion's insert booklet has the following information on the transfers in this set:Īll fourteen films are presented in their original aspect ratio of 1.33:1. Ideas of what 'traditional female beauty' means, and there are some really fun interviews here, but this is a curio at best. Planted semi-firmly in cheek, but this is a piece with a rather odd focus, as may be gleaned from the documentary's title. This is arguably the weirdest documentary in this set, and may lead some to wonder if Blank was some kind of fetishist.

Performances and at least some biographical data. Criterion's collection of fourteen Blankĭocumentaries may understandably be thought of as a niche product, but for those interested in this subject, it's a virtual smorgasbord of great Outlier in Blank's oeuvre, a large body of work that otherwise tended to focus primarily on musicians (though there are a couple ofĮxceptions in this set). Note: This film is available as part of LesĬhances are that unless you have a specialized interest in some of the indigenous folk music(s) of the United States, your recognition of the nameīlank, if indeed you recognize it at all, may well come courtesy of Burden of Dreams (note that the link points to a DVD, not a Blu-ray), Blank's fascinating documentary about the filming of Werner Reviewed by Jeffrey Kauffman, July 7, 2019